Kilnformed glass. Single layer of glass powder fired overnight. Penland craft school. ~36 x 22cm. Paper thin.

Kilnformed glass. Pâte de Verre. Penland craft school. ~12 x 22 x 8cm

Kilnformed glass. Skin series. Pâte de Verre. Penland craft school. ~20 x 20cm

Kilnformed glass. Pâte de verre (face) x glass foam (brains) Penland craft school. ~20 x 12 x 7cm

Turf, cast glass bricks painted white, fused glass panels soldered stained-glass style onto barbed wire. The western eurocolonial post industrial (etc) nuclear family simultaneously works to exclude and ensnare people. or something. the colorful interiors of the glass bricks are washed over in sticky landlord white.

You are not welcome here. Neon. Sign says "you are not welcome here." until you approach it and stand in front of it. then you see, "you are welcome here" it lies to you when you're closest to it. Commentary on the often false inclusivity and tokenizing tendencies the fine art world. Dresser. A reflection of personal traumas. The inner part of the bed frame (facing away from the entrance) is painted to resemble bruised skin. The main piece is fused glass, fit to my body (I'm 5'10"/177cm—the piece is a little smaller, since there's no head, as it's meant to resemble a stretched deer skin). Mostly salvaged materials, except the pigments. The rope was originally a red satin duvet.

Fused and slumped glass, knife, 9mm bullets

Multimedia glass. Mostly salvaged.

Pâte de Verre. ~20 x 12 x 7cm

Cast glass. Mostly salvaged. Enamels, 2 cigarette butts, cigarette smoke (I smoked a cigarette in the room prior to critique so that the smell would permeate the piece), dying pansies. ~ 25 x 25 x 5cm

Glass clay. ~8 x 10 x 5cm